London Fashion Week Fall Winter 2011. Vivienne Westwood Red Label, look 1

“I’ve been calling it ‘noble naivity’ – it’s taking the soft, sculpted, shaded beauty of an 18th century painting then giving it a whimsical, light sense of humour, as if a child has graffiti’d all over it.”-Alex Box

Makeup face chat by MAC

Eye

Shag eye shadow – softly blended into the socket line and in a rounded shape around the eyes, applied with a 224 brush quarry eye shadow – blended softly above the socket line (no foundation on or around the eyes) frozen white pigment – heavily in the inner corners of the eyes with brush 239

Lip

beet lip pencil – mashed in and randomly smudged around the lip line and blended lightly around the mouth dolly mix sheertone blush – rubbed into the centre of the mouth

Face

Studio sculpt spf 15 foundation mixed with white face and body foundation – to give the skin a slightly pale, waxen feel cheek pro sculpting cream (available autumn/winter 2011) – for a high blue on the cheeks, and also dabbed onto the temples, nose, chin, ear to make her look a bit cold dolly mix sheertone blush – worked over the top of the cheek pro sculpting cream, with brush 188 vanilla pigment – down the centre of the nose, the cupid’s bow, centre of the forehead and in a c-shape around the eyes, to give the skin a strobe-y look gold pigment – randomly buffed into the face in patches m·a·c pro chromaline in every colour haphazardly blended in areas of the face, individual to each girl m·a·c pro full fuchsia powder blush m·a·c pro neon pigments – randomly

Vivienne westwood red label, look 2

Makeup face chat by MAC

Eye

Espresso eye shadow – blended into the brows, one higher than the natural arch, one lower than the arch shag eye shadow – softly blended into the socket line and in a rounded shape around the eyes, applied with brush 224 quarry eye shadow – blended softly above the socket line (no foundation on or around the eyes) m·a·c pro high-def cyan chromaline – drawn in a fine line in the socket line with brush 209 frozen white pigment – heavily in the inner corners of the eyes with brush 239

Lip

beet lip pencil – mashed in and randomly smudged around the lip line and blended lightly around the mouth dolly mix sheertone blush – rubbed into the centre of the mouth

Face

studio sculpt spf 15 foundation mixed with white face and body foundation – to give the skin a slightly pale, waxen feel cheek pro sculpting cream (available autumn/winter 2011) – for a high blue on the cheeks, and also dabbed onto the temples, nose, chin, ear to make her look a bit cold dolly mix sheertone blush – worked over the top of the cheek pro sculpting cream, with brush 188 vanilla pigment – down the centre of the nose, the cupid’s bow, centre of the forehead and in a c-shape around the eyes, to give the skin a strobe look

Vivienne Westwood Red Label, look 3

Makeup face chat by MAC

Eye

espresso eye shadow – blended into the brows, one higher than the natural arch, one lower than the arch shag eye shadow – softly blended into the socket line and in a rounded shape around the eyes, applied with brush 224 quarry eye shadow – blended softly above the socket line (no foundation on or around the eyes) frozen white pigment – heavily in the inner corners of the eyes with brush 239 zoomblack zoomlash mascara – lots, top and bottom

Lip

dolly mix sheertone blush – rubbed into the centre of the mouth

Face

studio sculpt spf 15 foundation mixed with white face and body foundation – to give the skin a slightly pale, waxen feel cheek pro sculpting cream (available autumn/winter 2011) – for a high blue on the cheeks, and also dabbed onto the temples, nose, chin, ear to make her look a bit cold dolly mix sheertone blush powderblush – worked over the top of the cheek pro sculpting cream with brush 188 vanilla pigment – down the centre of the nose, the cupid’s bow, centre of the forehead and in a c-shape around the eyes, to give the skin a strobe look