All Posts Tagged With: "lash line"

Nikki Reed at the Twilight Saga New Moon Premiere

Get The Look: Actress Nikki Reed made her mark last night on the NYC red carpet premiere of The Twilight Saga: New Moon, along with costar Kristen Stewart. mark Celebrity Makeup Artist Jamie Greenberg spills her top secret tips to create Nikki’s understated, yet elegant look.

Jamie Greenberg Explains How to Get Nikki’s Radiant look:

Eyes: “Nikki has gorgeous dark eyes that I really wanted to play up. I started by smudging mark Eyemarker Color On Line in Java along her upper lash line, followed by two coats of mark Scanda-Lash Hook Up Mascara on the top lashes. For her bottom lashes, I took the tip of the mascara wand and carefully coated each lash for definition, then brushed it out with the wand for separation. I finished by applying mark I-mark Custom Pick Eyeshadow in Nomadic to her lids and Fairy Dust in her crease.”

Ashley Greene Wears Lancôme to “New Moon” Premiere

Celebrity makeup artist Vanessa Scali transformed the already beautiful “Twilight” star Ashley Greene into a gorgeous vision at last night’s “New Moon” premiere in Los Angeles. “The look was classic 60’s,” reports Vanessa. “Well-defined eyes with lots of lashes, a strong brow and clean skin with subtle pink/coral cheeks and lips.”

How to get Ashley Greene’s makeup look at the “New Moon” Premiere:

To start, Vanessa evened out Ashley’s “nearly flawless skin” with Lancôme’s Effacernes concealer in Light Bisque underneath the eyes. “It gives clean, fresh, flawless coverage,” she said. Bobbi Brown’s Foundation Stick followed. Lancôme’s Blush Subtil in Shimmer Pink Pool topped the apples of the cheeks.

Backstage with Lancôme at Chris Benz

New York Fashion Week Spring 2010 Makeup Trend Report.

Show: Chris Benz Spring 2010 Collection
Lead Makeup Artist: Daniel Martin for Lancôme
The Trend: Coral-colored pout.

The Look: Refined 60’s party girl. Healthy skin and stand-out lips: Chris’ spring collection is full of whimsical fabrics, colorful ornamentation and texture pieces.  For the makeup Chris asked Daniel to create a sun-kissed fresh look. He wanted healthy skin and prominent lip.

 

Daniel gave the models a natural glow by applying GÉNIFIQUE Youth Activating Concentrate to clean skin followed by GÉNIFIQUE Eye (Available 10/15/09) to brighten and open up the eye area. The complexion was perfectly even and polished. Shu Uemura Nobara Foundation was applied to even out the skin tone and Lancôme AGELESS MINÉRALE WITH WHITE SAPPHIRE COMPLEX (A perfecting and setting mineral powder) was dusted over the entire face. POP ‘N CHEEKS in Coral Flirt (Available Spring 2010) was used as a highlighter and lightly applied to the cheekbones near the temple for just a hint of color.

To define the eyes, Daniel smudged LE CRAYON KHÔL in Black Coffee on the upper and lower lash lash lines. Several coats of HYPNÔSE Mascara in Black were applied for thick, black lashes.

Lips were bright and creamy. Daniel used  L’ABSOLU ROUGE in Chris & Tell (Available Spring 2010 at Saks Fifth Avenue) for a vivid, coral-colored pout. Chris & Tell is the fifth lipstick in the POUT-A-PORTER designer lipstick series. In the meantime, the waiting list is open at Lancôme’s Upper West Side Boutique. simply call 212-362-4858 to be added to the waiting list.

How To Get Kherington Payne’s Makeup Look at the Premier of FAME

Lancôme celebrity makeup artist Vanessa Scali worked her magic on Fame star Kherington Payne at the movie’s Los Angeles premiere last night. Talking Makeup got on the inside scoop behind the rising star’s graphic, smokey eye, pretty golden skin and shimmery nude mouth.

To start, Vanessa prepped the skin with Lancôme’s Génifique Youth Activating Concentrate, which kept Kherington’s skin fresh in the 100 degree heat. Lancôme’s Effacernes in Light Bisque –Vanessa’s favorite formula—was dabbed underneath the eyes. Bobbi Brown’s Foundation Stick was applied on select areas with a small brush and blended with the fingers.

Lancôme’s Blush Subtil in Sheer Amourose delivered a glowy look and was accented with Giorgio Armani Beauty’s Fluid Sheer #2 on the cheek and brow bones. A dusting of Lancôme’s Photôgenic Sheer Loose Powder, just on the T-zone.

For Kherington’s dramatic eyes, Vanessa layered Shu Uemura’s Pressed Eye Shadow in ME Black #990 and ME Olive #471.

Jenna Fischer at the Emmy Awards 2009: Get The Look

The Office’s Jenna Fischer and her makeup artist Vanessa Scali designed a Golden Goddess look that was easy and sexy: Pale, gold skin and a smoky bronze eye. Here’s how to get the look:

SKIN: “I first applied spot foundation only where it was needed using shu uemura’s Nobara Cream Cover Stick Foundation. It gives clean, fresh, flawless coverage. I then used Lancôme’s Effecernes in Light Bisque and Blush Subtil in Sheer Amourose. I highlighted her cheek and brow bones with Armani’s Fluid Sheer #2. In the T-zone only, I used shu uemura’s Face Powder in Colorless – matte formula.”

Mary-Louise Parker at the Emmy Awards 2009: Get The Look

Red carpet beauty scoop: Get the look of Mary-Louise Parker at the 61st Annual Primetime Emmy Awards. Mary-Luise makeup look was created by Makeup Artist: Tina Turnbow for Maybelline New York.

Stepping onto the red carpet in a single strapped, deep purple Zac Posen dress – Mary-Louise Parker was ready to shine at the Emmy’s! Tina was inspired by the deep purple and indigo tones in Mary-Louise’s dress, and her gorgeous gunmetal grey accessories. To play up the colors in Mary-Louise’s dress, Tina brought out her best features with a dramatic yet classic smoky eye, blushing pink cheeks and nude lips.


Emmy nominee Mary-Louise Parker, nominated for Lead Actress in a Comedy Series for “Weeds” at the 61st Primetime Emmy Awards, Nokia Theatre, Los Angeles CA, September 20, 2009. Photo Credit: Jeff Vespa/WireImage.com

Face: Because Mary-Louise has beautiful porcelain skin, Tina kept her face looking pristine by applying Maybelline New York Dream Liquid Mousse in Classic Ivory – with touches of Maybelline New York Dream Mousse Concealer in Light under the eyes and to the tops of the cheeks to give a contoured look.